The Abattoir of Dreams is thriller writer Mark Tilbury’s third novel, and as I’m a fan of the first two, reading this one was a must! Unlike Mark’s other books, The Revelation Room and The Eyes of the Accused, it's a standalone offering and not part of the Ben Whittle investigation series. Instead, in The Abattoir of Dreams he takes his writing down a supernatural route, blending a paranormal theme with thriller material, a dash of time travel and dollops of humour. A unique and intriguing concept! Here’s a taster:
Michael Tate has not had an easy life. With his father in prison, and his mother dead, Michael was sent to Woodside Children’s Home.
Now an adult, Michael wakes up from a coma in hospital suffering from amnesia and paralysis. Confused and terrified, he is charged with the fatal stabbing of his girlfriend, Becky. He also learns he attempted to end his own life.
Detective Inspector John Carver is determined that Michael is sent to prison.
With no way of defending himself, Michael is left in his hospital bed awaiting transfer to remand.
But then strange things begin to happen and his childhood comes back to haunt him.
Can Michael ever escape the past?
Will he ever discover the truth about Becky’s murder?
And why is DI Carver so eager to make him suffer?
How does he blend humour and horror so well?
Sounds intriguiing, doesn't it? Much of the action takes place in the 1970s, at a government-run children’s home. In recent years we’ve seen the unearthing of many terrible abuse cases that happened at such places, and this theme is examined in depth in The Abattoir of Dreams. The plot delves into many dark concepts, such as cruelty to children, corruption and murder and yet Mark throws in splashes of humour along the way. This is what has struck me before with his writing, and what makes him stand out – I read his books and think, ‘how the hell does he do that?’ You wouldn’t think horror and humour make good bedfellows, yet they do in Mark’s capable hands. He manages it with a succession of witty asides, sarcastic comments and other gems, often in the head of Michael Tate, the protagonist.
Talking of characters, what a fine cast we have! There are many dark souls in this book: Michael’s father, Kraft and Malloy at Woodside, and none more dogged in his pursuit of Michael than D I John Carver, the police officer determined to bring Michael to justice. Alongside them are many sympathetic characters, though: Michael’s mother, her friend Rachel and the kindly vicar, Paul Brady. The friendship between the younger Michael and damaged fellow Woodside resident Liam is both tender and touching, and lightens the part of the story that deals with terrible things.
And then there’s Michael himself. Paralysed, his memory faulty, he’s vulnerable to the machinations of D I Carver, and the reader feels for his plight, especially once his tragic story begins to be revealed. He needs to confront his past, but how can he when he doesn’t remember it? Michael has friends, however, and not all of them belong to this world. As a ghostly presence transports him back in time, the truth is gradually revealed, and Michael learns what really happened to Becky.
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