It's my pleasure this week to review Tony Forder's 'Slow Slicing', the latest novel in his bestselling Bliss and Chandler police procedural series. I interviewed Tony for my blog in April 2019, and you can read that post here: Interview with Tony Forder.
Right, on with my review of 'Slow Slicing'! Here's a taster of the plot:
WHEN DEATH BECOMES THE KINDEST CUT OF ALL
When slices of flesh and body parts are discovered in different areas of the country, DI Bliss and his team are tasked with running the operation. After Bliss realises the victims have been subjected to a specific form of torture, it leads him to a cold case involving the brutal and bloody murder of a woman in London twenty-six years earlier.
As the team discover links between their victims, the murdered woman, and gangland crime, they begin a dangerous investigation into both the past and the present. But Bliss is stumped, unable to decide if the current spate of mutilations are acts of revenge or the result of ageing criminals seeking to hide their despicable actions. Following a leak to the media, Bliss’s reaction may have dire consequences.
With the hunt for the victims at fever point, Bliss uncovers evidence steering him in the direction of one particular individual. The only problem being, his prime suspect is the one person it cannot possibly be. When Bliss orders a sting operation, the astonishing truth is revealed. And that’s when things really start to go wrong…
More twists than a bag of pretzels...
Wow, sounds intriguing, right? And it is. 'Slow Slicing' is yet another superb book in Tony Forder's Bliss and Chandler series. It's a dark and disturbing read that delivers more twists than a bag of pretzels, and never fails to entertain. When I say 'dark and disturbing', I mean it - this is not a novel for the squeamish. At one point I had to take a deep breath before reading on, because what was happening wasn't pretty. I expect that from crime fiction anyway; the book blurb specifically mentions torture, so I can't say I wasn't warned. The violence described is never gratuitous, though; it's relevant to the plot but never dominates it.
Let's start with the story. The pacing is relentless and the narrative fascinating. 'Slow Slicing' is a page turner that poses intriguing questions. Why has the torturer waited so long to exact revenge? Wait - maybe it's not vengeance, but an attempt by gangsters to conceal other crimes. Other weird stuff crops up too. What's the reason for the letters and numbers carved into the victims' body parts? Tony keeps his reader guessing throughout, but all the questions are answered by the time the satisfying conclusion rolls around.
Bliss and Chandler are well-drawn characters, and continue their symbiotic relationship in 'Slow Slicing'. This time Chandler takes a back seat, with Bliss often branching out on his own. At best this causes tension between him and Penny; at worst it entails serious consequences for Bliss's career. Bliss, with his usual 'don't care' attitude, is solely concerned with catching the bad guys, and if his methods are unorthodox, so what? That doesn't go down well with his superior officers, of course!
I've said it before and I'll say it again - this author ranks in terms of talent with the very best of novelists. I wish I could award 'Slow Slicing' more than five stars, but hey ho, life's not perfect! Let's just say the five stars I'm giving this book are all supernovas.
Discover more about Tony Forder and his novels:
Recently I read 'Thinner' (1984) by Richard Bachman. For those who don't know, Richard Bachman is a pseudonym of the great Stephen King. When King was embarking on his writing career, many publishers opted not to release more than one book per year by each author, since they believed more would be unacceptable to the public. (How times have changed!) King therefore chose to write under a pen name to increase his sales without over-saturating the market for his books. There are seven books in the Bachman collection, with Thinner being the fourth; the others include 'The Running Man', later made into a well-known film. King has stated that that writing as Richard Bachman was also his way of discovering whether his success was due to talent or luck. He deliberately released his Bachman novels without much marketing fanfare, but his identity was revealed before he ever got his answer. Here's a taster:
'Thinner' - the old gypsy man barely whispers the word. Billy feels the touch of a withered hand on his cheek. Billy Halleck, prosperous if overweight citizen, happily married, shuddered then turned angrily away. The old woman's death had been none of his fault. The courts had cleared him. She'd just stumbled in front of his car. Now he simply wanted to forget the whole messy business. Later, when the scales told him he was losing weight, it was what the doctor ordered. His wife was pleased - as she should have been. But . . . 'Thinner' - the word, the old man's curse, has lodged in Billy's mind like a fattening worm, eating at his flesh, at his reason. And with his despair, comes violence.
Wow! A gypsy curse - great material for a maestro like King!
'Thinner doesn't disappoint'. It's shorter than his usual trademark novels that weigh in at several hundred pages, but its writing style is pure Stephen King. How did it take four Bachman books before his cover got blown?! Sprinkled throughout the narrative are his trademark motifs, such as splitting a sentence over a few lines, with italicised and bracketed text in between. Also evident is his penchant for all-American brand names, and the fact that much of the action takes place in Maine. What's more, his characters even refer to a situation as 'like something out of a Stephen King novel' at one point. Cheeky, but amusing!
The protagonist, Billy Halleck, is not a likeable character; he's arrogant and lacks self-awareness. Nobody else in the book, with the possible exception of Billy's wife Heidi, comes across any better. The originator of the curse, Taduz Lemke, and his granddaughter Gina are especially vicious, unforgiving individuals. This lack of anyone with whom to empathise might mean some readers could find it hard to connect with the story, but that aspect didn't bother me. To me, Billy is all too human in his failings; had the woman's death been murder rather than an accident, the gypsy's curse may have been more understandable, but the old man acts out of malevolence and spite. What I found fascinating was King's examination of the various emotions Billy experiences throughout the book. From the start we know he killed another human being through a motor accident, and the story is very much about guilt, responsibility and justice. At first, Billy wants to put the incident behind him, and it's not until he understands he's been cursed does he begin to deal with his demons. Having said that, the book contains much injustice; it's hard to say more without giving plot spoilers, but the cruel twist at the end is a good example. That was unkind of you, Mr King, although I guess you intended it as poetic justice! Anyone for strawberry pie?
So would I recommend 'Thinner'?
Yes, I would. The book rambles a little at times and it doesn't rank for me as one of King's best, but it's a lot better than 'From a Buick 8', which lacked structure and rambled a LOT. (Click here to read my review - From A Buick 8). Also, as a diehard Stephen King fan, I'm also happy to sample his lesser-known work. I'll look out for further Richard Bachman books.
What about you? Have you read 'Thinner'?
Did you enjoy it? Leave a comment and let me know! (UK readers, you can check out 'Thinner' by clicking on the main image.
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