- Published on
This week's blog post is a book review of 'The Widow', Fiona Barton's first novel. The book was published in 2016 and has achieved both Sunday Times and New York Times bestseller status. It's billed as 'the ultimate psychological thriller... a terrifically chilling exploration of the darkness at the heart of a seemingly ordinary marriage.'
Wow! When I read that, I decided this novel was right up my street, both as the kind of book I like to read and also to write.. Here's the description from Amazon:
'We've all seen him: the man - the monster - staring from the front page of every newspaper, accused of a terrible crime. But what about her: the woman who grips his arm on the courtroom stairs – the wife who stands by him? Jean Taylor’s life was blissfully ordinary. Nice house, nice husband. Glen was all she’d ever wanted: her Prince Charming. Until he became that man accused, that monster on the front page. Jean was married to a man everyone thought capable of unimaginable evil. But now Glen is dead and she’s alone for the first time, free to tell her story on her own terms. Jean Taylor is going to tell us what she knows.'
Wow! When I read that, I decided this novel was right up my street, both as the kind of book I like to read and also to write.. Here's the description from Amazon:
'We've all seen him: the man - the monster - staring from the front page of every newspaper, accused of a terrible crime. But what about her: the woman who grips his arm on the courtroom stairs – the wife who stands by him? Jean Taylor’s life was blissfully ordinary. Nice house, nice husband. Glen was all she’d ever wanted: her Prince Charming. Until he became that man accused, that monster on the front page. Jean was married to a man everyone thought capable of unimaginable evil. But now Glen is dead and she’s alone for the first time, free to tell her story on her own terms. Jean Taylor is going to tell us what she knows.'
Sounds gripping, doesn't it?
'The Widow' doesn't disappoint. I read it in one sitting, forcing my eyes to stay open one night as I devoured the contents into the small hours. I loved Fiona's depiction of the two main characters, Glen and Jeanie Taylor.
Glen is a petty, self-absorbed tyrant. His persona is wonderfully drawn, shown through the myriad ways he controls Jeanie and his failure to accept responsibility for his actions. Everything is someone else's fault, never his. (Don't we all know people like that?!) He attributes his dismissal from his bank job to his boss's jealousy rather than his unsatisfactory performance. When he's put on trial, he bills himself as a victim of police harassment. According to him, his obsession with child pornography is a medical condition for which he needs help. Not, of course, a sign of his warped nature, one that he keeps well-hidden. Here is a man who is outwardly unremarkable, yet, as the book asks, is he also a paedophile and a murderer? And is Jeanie complicit in his misdeeds?
The domineering Glen is mostly seen through the recollections of his down-trodden wife, who is a masterpiece of characterisation, expertly portrayed though subtle nuances. Jeanie adores her husband at first but her love fades as she realises the kind of man she has married. It's not long, though, before the reader starts to feel she may be hiding her own dark side. In addition, she might know more about Bella Elliott's disappearance than she's revealing.
The only flaw, for me, was that she comes across as older than her age, which jars at times. This may be deliberate, to emphasise Jean's unworldliness, but if so, I think it's overdone. It's not just that her name would be more appropriate for an older woman. At times Jean behaves like a stereotypical pensioner, so much so that when the narrative refers to her as being thirty-seven, it comes as a shock. Well, to me, anyway.
Glen is a petty, self-absorbed tyrant. His persona is wonderfully drawn, shown through the myriad ways he controls Jeanie and his failure to accept responsibility for his actions. Everything is someone else's fault, never his. (Don't we all know people like that?!) He attributes his dismissal from his bank job to his boss's jealousy rather than his unsatisfactory performance. When he's put on trial, he bills himself as a victim of police harassment. According to him, his obsession with child pornography is a medical condition for which he needs help. Not, of course, a sign of his warped nature, one that he keeps well-hidden. Here is a man who is outwardly unremarkable, yet, as the book asks, is he also a paedophile and a murderer? And is Jeanie complicit in his misdeeds?
The domineering Glen is mostly seen through the recollections of his down-trodden wife, who is a masterpiece of characterisation, expertly portrayed though subtle nuances. Jeanie adores her husband at first but her love fades as she realises the kind of man she has married. It's not long, though, before the reader starts to feel she may be hiding her own dark side. In addition, she might know more about Bella Elliott's disappearance than she's revealing.
The only flaw, for me, was that she comes across as older than her age, which jars at times. This may be deliberate, to emphasise Jean's unworldliness, but if so, I think it's overdone. It's not just that her name would be more appropriate for an older woman. At times Jean behaves like a stereotypical pensioner, so much so that when the narrative refers to her as being thirty-seven, it comes as a shock. Well, to me, anyway.
An impressive debut novel
As a foil to Glen and Jeanie, the other central characters of journalist Kate Waters and DI Bob Sparkes are more crudely drawn. Sparkes is almost like a caricature of a detective inspector, and his scenes didn't come alive for me. Kate is a more convincing character, although hard to like. Ruthless in pursuit of a scoop for her newspaper, she's hard as nails despite the caring persona she projects. The descriptions of unsavoury press behaviour are hard to stomach, as they frequently descend into harassment and trial by media. Fiona Barton used to be a journalist, so the antics she depicts are presumably realistic, yet in my view they're abhorrent.
Those wanting thrills a minute and a high body count may be disappointed by this book. The story focuses more on Jeanie's character development rather than delivering a plot rollercoaster. There are no twists as such - the ending is fairly obvious from early on - and few startling revelations. That's not the strength of this novel. The interest lies more in the reader exploring every nook and cranny of Jeanie's mind, in understanding why she gradually turns against her husband during the course of her marriage. As a first novel, it's impressive, and I look forward to reading more from this author.
Fiona Barton is a former journalist who has worked for the Daily Mail, Daily Telegraph and The Mail on Sunday. In the latter role she won Reporter of the Year at the National Press Awards. She gave up her job to volunteer in Sri Lanka and has worked with exiled journalists all over the globe. The idea for 'The Widow' came from time spent during her journalistic career covering famous trials. Fiona began to wonder what the wives of the accused knew or allowed themselves to know about the crimes in question. Fiona lives with her husband in rural France and has written several other novels. You can find out more at her website: http://fionabartonauthor.com/
Those wanting thrills a minute and a high body count may be disappointed by this book. The story focuses more on Jeanie's character development rather than delivering a plot rollercoaster. There are no twists as such - the ending is fairly obvious from early on - and few startling revelations. That's not the strength of this novel. The interest lies more in the reader exploring every nook and cranny of Jeanie's mind, in understanding why she gradually turns against her husband during the course of her marriage. As a first novel, it's impressive, and I look forward to reading more from this author.
Fiona Barton is a former journalist who has worked for the Daily Mail, Daily Telegraph and The Mail on Sunday. In the latter role she won Reporter of the Year at the National Press Awards. She gave up her job to volunteer in Sri Lanka and has worked with exiled journalists all over the globe. The idea for 'The Widow' came from time spent during her journalistic career covering famous trials. Fiona began to wonder what the wives of the accused knew or allowed themselves to know about the crimes in question. Fiona lives with her husband in rural France and has written several other novels. You can find out more at her website: http://fionabartonauthor.com/
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