I'm delighted to say that my eighth novel, She'll Never Tell, has now been published in kindle format via Amazon. The paperback version will follow shortly. The book has been getting great reviews so far! Here are a selection:

LC - There are red herrings everywhere, and I pride myself on spotting these, but not this time. There are so many revelations that I didn’t expect, include a couple of massive ones near the end of the book. This really was an excellent example of a psychological thriller and I read it in one day. I had to know!  A fast paced read full of suspense and ⭐️⭐️⭐️⭐️⭐️
 
NM - Wow!! What a very clever concept and one perfectly executed. Skillfully constructed and a plot that comes alive putting the pieces of the puzzle together. A highly recommended read.

DD: If you like well-drawn characters, a twisting plot & several unexpected turns of events, then this is the book for you. Highly recommended.

LH - I loved it… - that ending!!

Wow! As you can imagine, I'm delighted by such great feedback. If you'd like to check out She'll Never Tell, then the Amazon link is in the button below.

The sudden death of her mother shatters Olivia Gilchrist’s world. Grief turns to shock when a post-mortem reveals Sonia has lied to her daughter in the cruellest possible way. Angry and hurt, Olivia vows to uncover the truth.

Meanwhile, Olivia’s neighbour, Elena, harbours a dark secret. Now the past has caught up with her, forcing Elena to go into hiding.

Olivia soon discovers Elena was involved in Sonia’s deceit. She has questions she’s desperate to ask her former neighbour. Olivia suspects, however, that Elena is warped and unstable. Tracking her down may be difficult and dangerous.

The temptation proves too strong, and a game of cat and mouse with a vengeful woman ensues. One that has the potential to turn deadly…

A gripping novel of psychological suspense, She'll Never Tell is the story of a decades-old secret that refuses to stay hidden.

Stephen King is often referred to as "the master storyteller" and for me this is never been more evident than in his epic novel 11.22.63. An lengthy 734 pages long, the book examines the "butterfly effect” that results when one man tries to change the past. To quote from the back narrative: ‘In 2011, Jake Epping, an English teacher from Lisbon Falls, Maine, sets out on an insane – and insanely possible – mission to prevent the Kennedy assassination. Leaving behind a world of computers and mobile phones, he goes back to a time of big American cars and diners, of Lindy Hopping, the sound of Elvis and the taste of root beer. In this haunting world, Jake falls in love with Sadie, a beautiful high school librarian. And, as the ominous date 11.22.63 approaches, he encounters a troubled loner named Lee Harvey Oswald.’

Into his portrait of the Kennedy era, King weaves the love story of Jake, now known as George, and Sadie, one that never becomes overly treacly but instead is detailed with humour and realism. In 11.22.63, Jake travels the classic hero’s journey, from a jaded high school teacher, bruised from his divorce from his alcoholic wife, to a man who discovers the love of his life and the courage to do what hurts in order to put right the problems he’s caused.  

King is a master at evoking small-town America from the 50s and 60s. We are treated to a rich portrayal of a past life; from Jake's first taste of homemade root beer, through the music and dances of the era (Glenn Miller’s ‘In The Mood’, lindy hopping), to the cars (Jake's beloved Sunliner). In contrast to this nostalgic idyll, King also gives us the downside - prevalent domestic violence, racial prejudice, the fug of ever-present cigarette smoke. Idyll and anti-idyll are set against the backdrop of the Cold War and the bogeyman figure of Nikita Khrushchev. Besides the darkness, King provides plenty of lighter moments in the book – absurdly quaint slogans (Drink Cheer-Up Coffee!) and sidesteps such as the fun of George teaching Ritchie and Bevvie how to lindy hop. The humour is more evident in the first half of the novel, before the narrative takes a dark downward twist in the months leading up to Lee Harvey Oswald's attack on Kennedy. The richness of detail is amazing, like tracing the path of a fractal. The blood and sweat of King’s depiction of the prize fight between Case and Tiger. The shat-HOOSH sound of the machines at Worumbo Mills and Weaving. The taste of the root beer and ribs. At times, the narrative is so evocative I felt I was deep inside the novel, embedded in the heart of 1960s America.  

Ah, let's not forget we're not supposed to tinker with time. What about the butterfly effect? King provides plenty of hints about the impact George's presence in the past is having, and it's not always a beneficial one. Take what happens to Vince Knowles; the changing colour of the Yellow Card Man's card; the subtle differences in the conversations George has every time he returns to September 9, 1958. This is no Groundhog Day – instead of opportunities to improve his situation, King provides George with more and more chances to screw up the future by messing with the past. As Al Templeton tells him: "The past is obdurate. Doesn't want to be changed". It’s no coincidence that the entrance to the rabbit hole into 1950s Lisbon Falls is chained off, posing as a broken sewer pipe. A metaphor for George’s sullying of the world’s future by meddling with forces he doesn’t understand. A salutary lesson for all of us (not that any of us are likely to go time travelling any time soon!) 

Throughout the narrative, the foreboding figure of the Yellow Card Man, a foul-mouthed wino, stands guard over the mysterious portal from Jake’s present day life into 1950s America. It is late in the novel before the Yellow Card Man’s secret is revealed, along with his instrumental role in safeguarding the future of the world. The tension mounts as the past becomes ever more obdurate in its attempts to thwart George’s interference in the Kennedy assassination. Will he succeed or won’t he? As we discover the answer, King sweeps us along to the novel’s ending, which for me was perfect. Very moving.
​
Why genre fiction is overlooked when it comes to the major literary prizes, when it can produce novels of this calibre, is beyond me. I highly recommend this book.

Drum roll, please! My eighth novel, She'll Never Tell, is now available for preorder in kindle format from Amazon. Publication date is August 31. The paperback version will be released soon after. Here's the link: She'll Never Tell.

The sudden death of her mother shatters Olivia Gilchrist’s world. Grief turns to shock when a post-mortem reveals Sonia has lied to her daughter in the cruellest possible way. Angry and hurt, Olivia vows to uncover the truth.

Meanwhile, Olivia’s neighbour, Elena, harbours a dark secret. Now the past has caught up with her, forcing Elena to go into hiding.

Then Olivia discovers Elena knows what Sonia did thirty years ago. She has questions she’s desperate to ask her former neighbour. Olivia suspects, however, that Elena is warped and unstable. Tracking her down may be difficult and dangerous.

The temptation proves too strong, though. A game of cat and mouse with a vengeful woman ensues. One that has the potential to turn deadly…

A gripping novel of psychological suspense, 'She'll Never Tell' is the story of a decades-old secret that refuses to stay hidden.

At the start of 2021 I posted about my writing plans for the year. (You can read about them here: My writing plans for 2021). I'm delighted to report that I'm still on track. My desire to write has returned full-force and I'm keen to make up for lost time!

So where am I regarding my goals? Well, my eighth novel will go to my editor at the end of June. For this book, I'm working with a new editor, and I'm keen to discover how she'll view my writing. I'm sure to learn something new! My aim is to publish this novel (still without a title - I find titles hard!) in August 2021.

As regards future books, today I'll start plotting my ninth novel. If all goes according to plan, this one will be released  in December 2021.  I have no idea at present what the theme or plot of the book will be, so anything could happen! One thing's for certain - my lead characters will get a bumpy ride...

I'll keep you posted! Thanks for reading.

After such a stressful 2020, I 'm relieved we're in 2021! Yes, I know the covid-19 infection takes no notice of dates, but there's something about a new year that always inspires me. I love setting goals for myself, yet I achieved little on the writing front in 2020. For much of the year my enthusiasm for writing novels evaporated, and I questioned whether to continue with my author career. That struggle is still with me to some extent, but I've made significant strides in conquering my demons. From talking to my author friends, it seems disillusionment is an occupational hazard!

Onwards into 2021! One thing I'm clear on - I'm keen not to overstretch myself this year. I've read social media posts from authors who publish a book a month; just the thought exhausts me. I want balance in my life, not burnout. Besides writing, I have other priorities in my life, such as health and fitness, improving my spoken Spanish and learning to paint abstract acrylics. Writing is hugely important, but not at the detriment of my other goals.

With that in mind, I've set myself modest and very achievable targets for 2021. My aim is to publish my eighth novel, currently in first draft format, and write and publish my ninth novel. That's two releases in one year, much better than 2020, which was a zero-release year. It's a far cry from joining the book-a-month brigade, but I'm comfortable with that. Wish me luck!

As of December 1, 2020, I've been a full-time novelist for six years! It's been a rollercoaster ride in many ways, but I have no regrets. I've blogged before about my first five years (see post here), so I won't go over old ground. 2020 has been a challenging year for my writing, with no books published and a distinct lack of mojo on my part. I'm working hard to get back on track, with my eighth novel now completed in draft, and I've started plotting number nine.

I've never regretted my decision to go full-time, although writing can be a very isolating profession, and one that has various pitfalls. I'm fulfilling my childhood dream, however, and I love that I can combine writing with my love of travel. So long as I have a laptop and an internet connection, I'm good to go!

I love setting myself goals! As we approach the end of 2020, I'm already considering what I want to achieve in 2021. I've no plans to change genres - I enjoy writing psychological suspense novels, so that's what I'll continue to do. Ideally I'd like to publish two books a year, one every six months. My process isn't as quick or efficient as it should be, however - editing takes me forever! - and I suspect a novel every eight or nine months is more realistic. We shall see.

Other goals? I aim to grow my email list and Facebook readers' group, and market my books better. Most importantly, I want to recapture my love of writing, which has been sadly absent for much of 2020. 2021 needs to be about FUN on the creative front!

Whatever happens, I'm very grateful to my readers for their support and encouragement. Thanks to each and every one of you!

During my writing career I've  come across readers who say they hate prologues. This baffles me, because they're part of the story - why dislike them, if the novel is a good read? As an author, I believe prologues fulfil several useful roles, and I've used them in my books when appropriate. Let's examine why prologues can enhance a novel.

I did notice, in the online debates I've read, that those people who said they hate prologues rarely gave a reason, in contrast to fans of them. This made it difficult to fathom the haters' antipathy! After some digging, I uncovered some explanations. Here are the reasons people cite:

1. They dislike an action scene containing characters without context, ones they haven't had a chance to care about yet. This doesn't resonate with me. Surely the prologue provide this chance, especially if the character is in a sticky situation?
2. Some people say prologues are old hat. I disagree. If they work for a novel, for any of the reasons I've already mentioned, why not use them? This argument smacks to me of writing snobbery, something I loathe.
3. Another argument against prologues is that, all too often, they're information dumps. This hasn't been my experience, but I agree that no part of a novel, prologue or otherwise, should shovel a load of facts the reader's way. Instead they should be woven into the narrative or dialogue in a way that's not obtrusive.
4. One person said they dislike the change of pace between a dramatic prologue and a slower first chapter. Me? I love that! A tense, action-packed prologue whets my appetite to read on, then a gentler first chapter gives me a breathing space to allow me to relax into the book.

No doubt the debate over prologues will continue for a while yet! I'll continue to use them in my novels if I believe they're warranted. Many other novelists love them too. Some say they use them, but retitle them 'chapter 1' so they don't antagonise prologue-hating readers!

If you're a reader, do you love or hate prologues? Give me your reasons! Or maybe you don't care either way? Perhaps you're a novelist. If so, do you use prologues? If not, why not? Leave a comment and let me know!

Woo hoo! I'm delighted to report that I've finished the first draft of my eighth novel. I've blogged before about how difficult I've found writing this year, so this is a happy day for me. A long road still lies ahead before publication, as the editing process takes me ages! First, though, I need to set the manuscript aside for a while. This is so that when I start editing I have the benefit of distance, enabling me to spot errors, plot holes, etc., more easily.

What will I do in the meantime? After a short break, I'll work on plotting novel number nine. I have some ideas already, so it's a case of choosing one, then fleshing out the story. For me, plotting is the hardest part of the writing process. By nature, I'm a planner, but that doesn't work so well for my books. After a while, I itch to start writing and stop plotting. In addition, I often find that what seems a great idea at the plotting stage doesn't work so well in practice. I'm still developing the way I write, so it's all part of the learning process. I'll keep you posted as to progress with number eight!

I've shared on this blog and on social media how my writing mojo deserted me for several months earlier in 2020. (Read my other post on this subject here: When novelists lose their love of writing). I don't think the issue was related to the covid-19 pandemic, as my disillusionment began before lockdown happened in the UK. I suspect I'd been pushing myself hard for a while (I'm very goal-driven!) and just needed a break. I spent the time relaxing, reading and enjoying the summer, and didn't worry too much about whether my writing mojo would return.

Luckily, it has. My output isn't back to what it was before, when my average daily output was c2,200 words. Nowadays I manage between 1,200 and 1,500 before my creativity wanes, but that's OK. There's no rush. It's more important that I regain my love of writing rather than fret about how many words I write, or how long I'm taking to finish a book. I'm very close to completing my eighth novel, though! As of today's date I've written 75,659 words, and I estimate another 11,000 will see the book completed in first draft format. After that will come the lengthy (for me, anyway!) task of polishing my prose, weeding out any plot holes and getting the manuscript ready for my beta readers/editor. I'll keep you posted!

Today I'd like to look at what traits readers love in a character. As well as what they hate! My reason? I've just finished reading a book that's garnered high praise from literary pundits, but which failed to impress me. The main reason was the characters - totally flat and unbelievable, very one-dimensional. The protagonist was cold, unfeeling, dismissive of her parents because they lacked money. Yet the author wanted me to believe this person was also capable of a great, undying love. By that time I'd given up caring about her, repelled by her personality. The other characters were no better. To make matters worse, the plot lacked depth and cohesion, along with an unsatisfactory ending.

Crafting great characters is one of the hardest challenges authors face. The storyline might be intriguing, the narrative well written, yet if readers don't identify with the main characters, then the book is unlikely to entertain them. Or even hold their interest past the first few chapters.

Hannibal Lecter, from Thomas Harris's novel The Silence of the Lambs, springs to mind. This is no cardboard cut-out antagonist, but a complex individual who captures the reader's imagination, partly because he presents two such different sides to his personality. On the one hand, he is cultured, well educated, a former Baltimore forensic psychiatrist. He is knowledgeable about art, literature and cuisine. Yet he is also a psychopathic and cannibalistic serial killer. Quite a juxtaposition, isn't it? And that's what makes Lecter such a compelling personality. He'd make a great dinner guest – provided he didn't eat you!
 
What follows are my thoughts on what makes a great character. First, they need to arouse empathy in a reader. I don't necessarily have to like them, but I do need to be on their side, eager for them to overcome their demons by the end of the story. 
 
They should also be interesting. I don't want to read about someone who works in a mundane job, has no friends and holds no opinions. That's boring, and in real life we shy away from dull individuals. Instead, I like characters to have fire in their bellies, to laugh, to cry, to experience pain and joy and all the emotions that come attached to this crazy life we're living.

One piece of advice that's often dished out to writers is to torture their characters... and then torture them some more. Wise words, in my opinion! By forcing them to endure angst, loss, loneliness, an author makes them real, because sorrow and tragedy happen to us all.  In addition, how a character faces life's trials helps to shape their personalities, meaning that by the end of their novel, they've changed - and for the better. An example is Luke Skywalker from the Star Wars franchise, who morphs from a humble farm boy to a great Jedi warrior.
 
I love it when a character aspires to become a better person, often as a result of pain they've suffered in the past.  Sometimes they're the underdog in a novel, a plot device that helps the reader to root for them. Underdogs are called to rise to challenges that will shape their personalities; a notable example is Harry Potter from J K Rowlings' books. Once a mistreated boy forced to live in a cupboard under the stairs, he eventually becomes an accomplished wizard despite facing adversaries such as Draco Malfoy and Lord Voldemort. Speaking of which, antagonists in a novel need to be worthy of the title of villain. Make them dark, make them twisted, make the reader loathe them, yet be fascinated by them. Hannibal Lecter again!
 
To be well-rounded, a characters needs to have flaws, because who doesn't? I don't want to read about someone who's always calm, patient, reliable, consistent - such people don't exist. We're all imperfect, changeable, difficult at times - some of us all the time! This leads me on the my last point - characters need to be believable. Don't give me street thugs who never swear, teenagers who don't act out, couples who never argue. I want reality, in all its ugly glory, because that's what shapes an great read. And I suspect other readers do too.

Are there any points you can add? What do you like or loathe in a character? Leave a comment and let me know!