A tragic case made the news a few years ago with the revelation that a young American woman, Kamiyah Mobley, had discovered she'd been abducted as a baby. It seems she'd harboured an inkling for a while that she may have been kidnapped. DNA tests subsequently proved that she was the baby abducted from a Florida hospital in July 1998 by a woman posing as a nurse. Gloria Williams, who is now in custody, brought her up as her own daughter, unbeknown to the man who believed himself to be the child's father.
The case caught my eye because it mirrors some of the events in my novel 'His Kidnapper's Shoes'. While Daniel is abducted as a young child, not a baby, and from his home rather than a hospital, other facts are similar. Laura Bateman brings him up as her own child, and the truth only emerges after Daniel reaches adulthood. Like Kamiyah, he has nursed suspicions that Laura may not be his biological mother, although his doubts stem from early childhood.
The original idea for 'His Kidnapper's Shoes' came from a conversation I had in 2010 concerning missing children. I put forward the opinion that most children who are kidnapped are taken by opportunistic predators. Someone else disagreed, saying that perhaps some are stolen by people unable to have children of their own. That makes sense when a baby is concerned, of course; it's believed Williams suffered a miscarriage a week before she kidnapped Kamiyah. A tragic set of events for all concerned.
Anyway, the conversation got me thinking. How would it feel to discover as an adult that you'd been kidnapped as a child? That the woman who you considered your mother was actually your abductor? From that seed the idea for 'His Kidnapper's Shoes' was born. Here's a taster:
On some deep level inside, Laura Bateman knows something is wrong. That her relationship with her son is not what it should be. That it is based on lies. But bad things have happened to Laura. Things that change a person. Forever.
For twenty-six-year old Daniel, the discovery that his mother is not who he thought comes close to destroying him. As his world turns upside down, he searches for sanity in the madness that has become his life. Daniel is left with nothing but questions. Why did Laura do something so terrible? Can he move past the demons of his childhood?
And the biggest question of all: can he ever forgive Laura?
A tense novel of psychological suspense, 'His Kidnapper's Shoes' weaves one man's quest for his identity with one woman's need to heal her troubled past.
You can buy the book from Amazon in e-book, audiobook or paperback format via this link: His Kidnapper's Shoes
By a strange coincidence, round about the same time as I finished the first draft of the book, another case came to light in America in which a young woman discovered she'd been kidnapped from hospital as a baby. A while back I blogged about novels based on real-life crimes. You can read the post here: Five Novels Inspired by Real-Life Crimes.
'Sandrine' by Thomas H Cook is an unusual novel, and might annoy some readers because it falls between two stools genre-wise. On the face of it, it's a legal thriller; much of the action centres around the trial of Samuel Madison for the murder of his wife Sandrine. Here's the Amazon description:
How did Sandrine die? There was no forced entry. She had been gradually stockpiling prescription drugs. A lethal quantity of Demerol was found in her blood. But did the beautiful, luminous Sandrine Madison really take her own life? The District Attorney doesn't think so. Neither does the local newspaper. And so Sandrine's husband must now face a town convinced of his guilt and a daughter whose faith in her father has been shaken to its core. But, as he stands in the dock, Samuel Madison must confront yet more searing questions: Who was Sandrine? Why did she die? And why – how? – is she making him fall in love with her all over again?
The last line gives the clue as to the book's other focus. 'Sandrine' is one of the most moving love stories I've ever read. Not that I read much in the romance genre, as I find a lot of what's on offer is clichéd, full of lantern-jawed heroes and catwalk-beautiful heroines. If all love stories were as good as 'Sandrine', however, I'd read more widely in the genre. No cardboard stereotypes are found among the book's cast of characters. Instead, Samuel Madison is flawed and very believable; he's failed to achieve his ambitions and is disappointed by his marriage. Once madly in love with his wife, over time he becomes indifferent towards her, as well as apathetic about his own life. Sandrine's death forces him to acknowledge, through a tortured examination of his behaviour, how people often don't realise they possess a treasure until they lose it. The book charts Sam's gradual realisation of his faults and asks whether love can be reawakened, even after death. And poses the question: did he murder Sandrine?
This isn’t an 'edge of the seat' type of legal thriller; the pace is slower than anything John Grisham might write. The novel has its issues; some readers report being turned off by its frequent literary references, which are frequent and colourful. Given both Sandrine and Sam work at a liberal arts college, and Sam's ambition is to be a writer, it seems reasonable they'd make such references, so they didn't bother me. The main weakness, for me, was that some aspects of the story stretch belief, but I can't elaborate without giving major plot spoilers! Overall, though, this novel was a joy to read, and the ending moved me to tears. I highly recommend it.
Have you read 'Sandrine' and, if so, what did you think? Leave a comment and let me know!
In this week's post, I want to share five books I've found helpful along my writing journey. They cover a range of topics from mindset to productivity, and I dip into them regularly. I hope you find them useful. To view each book on Amazon UK, click or tap the individual images.
1: Rachel Aaron - 2k to 10k: Writing Faster, Writing Better, and Writing More of What You Love
2: Libbie Hawker - Take Off Your Pants!: Outline Your Books for Faster, Better Writing
3: Jacqueline Garlick - The End: Edit Smarter Not Harder: Ten Simple Fix-Its Guaranteed To Strengthen Any Manuscript
4: Joanna Penn - How to Make a Living with Your Writing: Books, Blogging and More
5: Honoree Corder - Prosperity for Writers: A Writer's Guide to Creating Abundance
I hope you've found these suggestions useful!
Are there any books you've found helpful in your writing journey? Leave a comment and let me know!
This week's blog post is a book review of 'The Widow', Fiona Barton's first novel. The book was published in 2016 and has achieved both Sunday Times and New York Times bestseller status. It's billed as 'the ultimate psychological thriller... a terrifically chilling exploration of the darkness at the heart of a seemingly ordinary marriage.'
Wow! When I read that, I decided this novel was right up my street, both as the kind of book I like to read and also to write.. Here's the description from Amazon:
'We've all seen him: the man - the monster - staring from the front page of every newspaper, accused of a terrible crime. But what about her: the woman who grips his arm on the courtroom stairs – the wife who stands by him? Jean Taylor’s life was blissfully ordinary. Nice house, nice husband. Glen was all she’d ever wanted: her Prince Charming. Until he became that man accused, that monster on the front page. Jean was married to a man everyone thought capable of unimaginable evil. But now Glen is dead and she’s alone for the first time, free to tell her story on her own terms. Jean Taylor is going to tell us what she knows.'
Sounds gripping, doesn't it?
'The Widow' doesn't disappoint. I read it in one sitting, forcing my eyes to stay open one night as I devoured the contents into the small hours. I loved Fiona's depiction of the two main characters, Glen and Jeanie Taylor.
Glen is a petty, self-absorbed tyrant. His persona is wonderfully drawn, shown through the myriad ways he controls Jeanie and his failure to accept responsibility for his actions. Everything is someone else's fault, never his. (Don't we all know people like that?!) He attributes his dismissal from his bank job to his boss's jealousy rather than his unsatisfactory performance. When he's put on trial, he bills himself as a victim of police harassment. According to him, his obsession with child pornography is a medical condition for which he needs help. Not, of course, a sign of his warped nature, one that he keeps well-hidden. Here is a man who is outwardly unremarkable, yet, as the book asks, is he also a paedophile and a murderer? And is Jeanie complicit in his misdeeds?
The domineering Glen is mostly seen through the recollections of his down-trodden wife, who is a masterpiece of characterisation, expertly portrayed though subtle nuances. Jeanie adores her husband at first but her love fades as she realises the kind of man she has married. It's not long, though, before the reader starts to feel she may be hiding her own dark side. In addition, she might know more about Bella Elliott's disappearance than she's revealing.
The only flaw, for me, was that she comes across as older than her age, which jars at times. This may be deliberate, to emphasise Jean's unworldliness, but if so, I think it's overdone. It's not just that her name would be more appropriate for an older woman. At times Jean behaves like a stereotypical pensioner, so much so that when the narrative refers to her as being thirty-seven, it comes as a shock. Well, to me, anyway.
An impressive debut novel
As a foil to Glen and Jeanie, the other central characters of journalist Kate Waters and DI Bob Sparkes are more crudely drawn. Sparkes is almost like a caricature of a detective inspector, and his scenes didn't come alive for me. Kate is a more convincing character, although hard to like. Ruthless in pursuit of a scoop for her newspaper, she's hard as nails despite the caring persona she projects. The descriptions of unsavoury press behaviour are hard to stomach, as they frequently descend into harassment and trial by media. Fiona Barton used to be a journalist, so the antics she depicts are presumably realistic, yet in my view they're abhorrent.
Those wanting thrills a minute and a high body count may be disappointed by this book. The story focuses more on Jeanie's character development rather than delivering a plot rollercoaster. There are no twists as such - the ending is fairly obvious from early on - and few startling revelations. That's not the strength of this novel. The interest lies more in the reader exploring every nook and cranny of Jeanie's mind, in understanding why she gradually turns against her husband during the course of her marriage. As a first novel, it's impressive, and I look forward to reading more from this author.
Fiona Barton is a former journalist who has worked for the Daily Mail, Daily Telegraph and The Mail on Sunday. In the latter role she won Reporter of the Year at the National Press Awards. She gave up her job to volunteer in Sri Lanka and has worked with exiled journalists all over the globe. The idea for 'The Widow' came from time spent during her journalistic career covering famous trials. Fiona began to wonder what the wives of the accused knew or allowed themselves to know about the crimes in question. Fiona lives with her husband in rural France and has written several other novels. You can find out more at her website: http://fionabartonauthor.com/
This week I'm delighted to welcome novelist Karen Long to my blog. Karen Long is a Midlander by birth and now lives in Shropshire. She took up full-time writing many years ago and dedicates her days to writing crime fiction and observing nature. Her first novel, 'The Safe Word', reached the Amazon bestsellers' list and has now been followed by the second and third in the Eleanor Raven series, 'The Vault' and 'The Cold Room'.
It's great to have you here, Karen, so let's get started! Here's my first question:
Will there be a set number of books in the Eleanor Raven series? If so, how many?
It was always my intention to create a series of three novels that were linked thematically. The series takes place over the span of eighteen months and shares the same cast of characters and place but deals with a separate central story. All three books have now been published. I don’t intend to drop the Eleanor Raven character but have no plans for book four any time soon.
Do you share any character traits with DI Eleanor Raven?
Ah, that’s difficult. It would be disingenuous to suggest that there aren’t some aspects of the characters I create buried within my psyche. I don’t think I feel the anger, or the self-loathing that Eleanor Raven does but I like my independence and feel more comfortable alone than in company. Like Eleanor I am not religious but have an innate need for redemption. I believe most writers amplify their own characteristics when creating; how else can you achieve authenticity?
Do you see yourself writing in other genres besides crime fiction? If so, which ones, and what attracts you to them?
I like historical fiction and would love to write one but feel a little overawed by the amount of research I’d need to do. I suspect any story would have to be combined with a good murder plot, as I have little leaning towards romance. I have copy of a YA fantasy novel set in Victorian London, which is tucked away in my desk drawer. Every now and then I pull it out with the intention of self- publishing but never quite commit.
What’s a typical writing day like for you? Routines, that kind of thing?
I am not, in any way, organised as to a writing routine. I harbour a deep sense of guilt regarding my glacial output but have to be completely distraction free. I have an office but like to write in the conservatory, which has a great view of the numerous birdfeeders. Generally, I do write every day and it tends to be late morning into afternoon.
How long does it take you to write the first draft of a novel? Are you a plotter, a pantser or somewhere in between?
It takes me about seven months to get a first draft completed, and then another couple to complete the second and third drafts. I am not a deadline sort of person, I’m way too vague and unfocussed. I used to write copious notes but found they didn’t really help with plotting. Now I just keep mental images of actions and storylines.
What issues have you faced with research and accuracy with setting your books in a different country?
It’s very liberating to set your novels in a different environment because it can be moulded into the vision of a cityscape that responds to your plot. That’s not to say that I am lazy with place or time. I always check distances and environments with virtual maps, and read about places from as many sources as possible. I do have a working knowledge of the detailed landscapes and buildings that feature in the novels. However, it is because I am not native to Toronto that I have been able to create a vision from the flavours I experienced. It’s not accurate but then I’m writing fiction, not a travel guide.
What do you do to relax after a hard day’s writing?
Running, reading and a couple of glasses of wine.
Tell us about the rescue work you do with injured and distressed birds.
I’m a huge bird fan, particularly of the crow family. I used to have an aviary filled with rooks, magpies, crows and jackdaws, all in various stages of decrepitude but sadly we no longer have any left. Every spring I manage to look after and release a few babies that didn’t quite make their first flight a success. I’ve kept ravens, which are wonderful. All have deliciously dangerous and cantankerous personalities but the mayhem and home destruction can be very alarming and expensive. There are few things more delightful than having a clever wild bird sit on your shoulder and share a biscuit.
Thank you, Karen! It's been great talking to you.
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