I'm delighted to welcome novelist Peter James to my blog today! Peter is the author of the best-selling crime thrillers featuring Brighton-based Detective Superintendent Roy Grace, which have sold 18 million copies worldwide. Peter also writes supernatural fiction, such as 'The House on Cold Hill', a book I enjoyed very much. Welcome to my blog, Peter! With no further ado, let's proceed with the interview.
To what extent does DS Roy Grace reflect aspects of your own personality?
Roy Grace is based very loosely on former Chief Superintendent David Gaylor of Sussex CID. I was lucky enough to shadow David for many weeks over several years, during which he rose from Detective Inspector to Detective Superintendent. His office is Roy Grace’s office, and one of his areas of specialization was cold cases – also shared by Grace. But there the similarity ends – David is happily married and has no particular interest in the occult – although he is very open minded. I like Roy Grace the most of any character I have created, and there is a lot of myself in him. I’m in some ways quite a loner, too. I have a fascination for the paranormal. I share his views when he attacks bigots, when he attacks horrible architecture, or when, in ‘Not Dead Enough’, he launches into a tirade at the terrible state of our hospital in Brighton, the Sussex County. Roy Grace is a man who believes that we all have an obligation, with our lives, to try to leave the world a slightly better place than when we first came into it. That’s my view and it is partly why I write, to examine and try to understand better the world we live in and why people do the things they go. But I do also love the terrible Norman Potting. He is able to say all kinds of politically incorrect things that can no longer be said!
Out of all your antagonists, who’s been the most fun for you to create, and why?
Jodie in ‘Love You Dead’, and Dr Crisp in ‘You Are Dead’. Jodie is inspired by a woman I met in a prison, who murdered her husband and mother-in-law; she is so evil she makes you smile at her audacity. Similarly, I like Doctor Edward Crisp’s combination of charm, quirkiness and utter evil – modelled on someone I know who is in a different profession.
What’s been your most challenging novel when it comes to plotting, and why?
‘Dead Like You’ because it took place in two different time periods which was very complicated.
How does your writing day shape up? Lark or Owl? Plotter or Pantser?
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