High suspense meets the legal thriller
Apple Tree Yard is a psychological thriller about one woman's adultery and an insightful examination of the values we live by and the choices we make, from an acclaimed writer at the height of her powers.'
The novel is written in the first person, present tense, which I find always adds a certain punch to the prose. Doughty presents the story through an internal conversation between Yvonne and her unknown lover, who she believes to be a government spook unable to reveal details of his work. Although an intelligent woman, a respected scientist and married, she’s naive around this man, believing herself in love. The thrill of this illicit relationship, combined with risky sex, whisks her away from a life that’s become predictable and dull towards events that almost destroy her.
Excellent courtroom drama
Genetics versus gender issues...
Here comes the science bit! Louise Doughty weaves elements of genetics into the novel, playing on the fact that her protagonist is a geneticist. Yvonne refers to her unnamed lover as X, focusing on how they've reversed roles, he being an X and she a Y. Furthermore, her family have names or nicknames that begin with the letters A T G & C, another nod towards the field of genetics in which she works.
Doughty also examines issues of women's place in society. Yvonne has struggled to balance her career with motherhood, reflecting with some resentment how her husband's role in child-rearing appears to be an opt-in one, whereas hers has defaulted to an opt-out one. Although her marriage is good, the cracks exist, fissures that eventually lead to her susceptibility to a passionate affair with a stranger.
Wrong place, wrong time, wrong man
Louise Doughty also touches on the vulnerability of women. Yvonne is a woman who ends up in the wrong place at the wrong time with the wrong man, and the results are catastrophic for all concerned. Women can have careers, children, successful marriages, and yet they are ultimately vulnerable to overheated testosterone, and it can be the seemingly nice guy next door who poses the danger.
Moving on from this, Doughty looks at how the legal system can be skewed against women, illustrating her point by citing the case of a fifteen-year-old girl, not very bright, who suffers a gang rape by five men. She then has to face not one but five defence lawyers, all insinuating she was a drunken slut who asked for what she got. If a highly intelligent woman like Yvonne Carmichael can be broken in the witness box, what chance do any of us have?
Self-preservation versus a loved one...
Doughty examines the question of how far each of us would go to protect a loved one, or whether self-preservation will always win out in the end. She cites some distinctly unpleasant animal experiments that demonstrate that even maternal love can't compete with the innate urge in all of us to save our own skins if push comes to shove. Altruism will only stretch so far, a principle that will eventually lead to Yvonne's meltdown on the witness stand.
George Orwell examines the same topic in his novel '1984'. The way Yvonne's lover behaves is no different to the way Winston Smith eventually breaks down in front of his tormentor O'Brien. In screaming the words 'Do it to Julia! Do it to her, not me!', he cements his own brainwashing. The ultimate betrayal. So too with Yvonne's mystery lover, as he turns traitor on her in court, leaving her vulnerable to a sharp defence lawyer as the truth about Apple Tree Yard is revealed.
More about Louise Doughty
Louise Doughty is the author of eight novels, including Apple Tree Yard. Her novels have been shortlisted for various awards and she has also won awards for her radio drama and short stories. She is a critic and cultural commentator for UK and international newspapers and broadcasts regularly for the BBC.
In 2007, she published her first work of non-fiction, A Novel in a Year, based on her newspaper column of the same name. She has written major features, columns and cover articles for a wide variety of newspapers and magazines including The Guardian, The Independent, the Daily Telegraph, the Mail on Sunday. Her broadcasting career includes presenting radio series such as BBC R4′s A Good Read and Writers’ Workshop. She is a regular guest on the radio arts programme Saturday Review.
Doughty was born in the East Midlands and grew up in Rutland, in a rural area that later provided the setting for her third novel, 'Honey-Dew'. She now lives in London.
You can find out more about Louise and her books at www.louisedoughty.com. To view Apple Tree Yard on Amazon, click or tap the book cover image at the start of this post (affiliate link).
Have you read Apple Tree Yard?
If so, what did you think? Leave a comment and let me know!
A rollercoaster ride of a thriller...
‘Witness The Dead’ is the first novel by Craig Robertson I've tried; based on my enjoyment of what I’ve read, it won't be the last. The novel delivers a rollercoaster ride of a thriller, dealing with the exploits of a serial killer in modern-day Glasgow. Here's an extract from the back cover blurb:
‘Scotland 1972. Glasgow is haunted by a murderer nicknamed Red Silk - a feared serial killer who selects his victims in the city's nightclubs. The case remains unsolved but Archibald Atto, later imprisoned for other murders, is thought to be Red Silk. In modern-day Glasgow, D.S. Rachel Narey is called to a gruesome crime scene at the city's Necropolis. The body of a young woman lies stretched out over a tomb, bearing a three-letter message from her killer - the word SIN scrawled in lipstick upon her body.
Now retired, former detective Danny Nielsen spots a link between the new murder and those investigated in 1972 - details that no copycat killer could have known about. But Archibald Atto is still behind bars…’
A novel laced with tension and intriguing sub-plots
The tension in the novel ratchets skyward as more dead women are discovered, each one posed on a tomb in a different Necropolis. A race against time to prevent further deaths ensues, with the murders mirroring the 1972 Red Silk killings. The plot weaves through sharp twists and turns, as Archibald Atto dispenses information that may be accurate, or simply the warped machinations of a crazed mind.
‘Witness The Dead’ is an unusual novel in that it doesn’t have a protagonist as such. Danny Neilsen, his nephew Tony Winter and Detective Inspector Derek Addison are given equal prominence as the team intent on unearthing the link between Archibald Atto, the murders and the significance of the dumpsites at the city’s Necropoleis. Detective Sergeant Rachel Narey plays second fiddle to this trio in a side role as Tony Winter’s former love interest.
Overarching the main players is the chilling character of Archibald Atto, a psychopath who revels in baiting Winter when he detects the guilty thrill the man gets from photographing dead bodies. Robertson doesn’t flinch in portraying his characters with all their flaws. Danny Neilsen is haunted by a terrible mistake he made in 1972, one that has estranged him from his only daughter. Tony Winter struggles to accept his failed relationship with Narey, as well as his self-disgust at his enjoyment of what he sees as the beauty of death. In an amusing subplot, Addison is both taunted and attracted by a member of the forensic team on the case, whilst battling his hatred of his superior officer and struggling to hold the investigation together.
Hotpants, kipper ties and Glaswegian slang
The backdrop to the narrative is the vibrant city of Glasgow, both in its modern-day incarnation and in 1972. The latter is played out in a nightclub called Klass, with its patrons sporting platform shoes, kipper ties and hotpants. They dance to music from The Sweet and Johnny Nash, richly evoking the zeitgeist of 1970s Glasgow, whilst defying the murderous danger posed by Red Silk. Robertson peppers his narrative with Scottish slang such as 'gallus', 'hen' and 'blootered', thus further immersing the reader in the spirit of the novel.
‘Witness The Dead’ is not without its flaws – some of the plot elements didn’t stack up for me, but that’s a minor criticism, given the overall thrill supplied by the narrative. Having started with 'Witness The Dead', I’ll be looking for more Craig Robertson novels to add to my reading list. And thanks to Craig, I now know that the plural of necropolis is necropoleis!
More about Craig Robertson
Craig Robertson is a Sunday Times bestselling author, and his debut novel, Random, was shortlisted for the CWA New Blood Dagger. His novel Murderabilia was longlisted for Theakston’s Old Peculier Crime Novel of the Year 2017 and the McIlvanney Prize 2017.
You can find out more about Craig and his novels from his website, www.craigrobertsonbooks.co.uk, and I'll be interviewing him in a future blog post.
Have you read 'Witness The Dead'?
If so, what did you think of it? Or do you have any recommendations for other Craig Robertson novels? Leave a comment for me!