So many books, so little time!
Once I used to reread favourite novels, happy to revisit those I'd enjoyed before. Sometimes I'm nostalgic for the times when I'd curl up with a treasured book to savour its magic again. Even though the story was no longer a mystery, I'd always catch nuances I'd missed before, making each reread a new take on the familiar. A long time has passed since I read the same title more than once, though. It's a trend that's set to continue.
Why? Well, thanks to changes in the publishing industry, we're spoiled for choice when it comes to fiction. Thousands of new novels are uploaded to Amazon every day. In addition, the new wave of self-publishing is creating new genres by merging existing ones. Which makes for fascinating choices! Fancy a science fiction romance? No problem. Want to add Vikings to the mix? Your wish is granted. There are novels about dragons in space, unicorns in ancient history, you name it. In addition, self-publishing has revitalised more than genres. Short stories and novellas are making a comeback, providing even more reading options. With such a cornucopia of material available, not to mention classic novels I've yet to read, I don't have time to pick up the same book twice. Not that I'm complaining, you understand!
I don't want old favourites to disappoint
Besides the plethora of new titles available, there's another reason I don't revisit past fictional adventures. A strong possibility exists that, after a gap of several decades, they'll disappoint. Take Iris Murdoch's 'The Sea, The Sea'. I first read this novel in my twenties, and I loved it. The character of Charles Arrowby, his selfishness, the way he blinds himself to the obvious, mesmerised me. The novel charts his reunion with his first love, Mary Hartley Fitch, whom he has not seen since his youth. Thanks to his reclusive life, he develops an obsession with her, despite the fact she now sports an old-lady moustache and doesn't return his interest. I've always been fascinated by human behaviour and foibles, and Charles's egotistic pursuit of the unfortunate Hartley, which involves her kidnap, makes wonderful reading.
Years ago, a friend and I discussed the novel, with her being as taken with 'The Sea, The Sea' as I was. Recently, however, Doran told me she'd reread the book. Had it reprised its magic for her? The answer is no. 'I've no idea why I liked it so much in the first place,' she said. Which makes me wary about rereading my old favourite. Disillusion can be a bitter pill. Isn't it better for 'The Sea, The Sea' to retain its place in my affections, rather than me risk tarnishing its memory?
Tastes and priorities change...
Perhaps this reflects the changes we all experience in life. Tastes and priorities alter. In my fifties, I'm very different to the woman I was in my twenties. Who wouldn't be? There's a good chance that Iris Murdoch's iconic book may not enchant me second time around. Take Thomas Hardy's wonderful novels, for example. As a teenager, I read every single title, relishing Hardy's biting examination of social injustices. I loathed the hypocritical Angel Clare in 'Tess of the D'Urbervilles'; Michael Henchard's character in 'The Mayor of Casterbridge' appalled me. A man who scorned his bride-to-be for not being a virgin? A rogue who sells his wife at a country fair? Shame on both of them!
I also loved Hardy's lyrical descriptions of the Dorset countryside, for which his books are justly famous. An example: 'Here in the valley, the world seems to be constructed upon a smaller and more delicate scale; the fields are mere paddocks, so reduced that from this height their hedgerows appear a network of dark green threads overspreading the paler green of the grass. The atmosphere below is languorous, and is so tinged with azure that what artists call the middle distance partakes of that hue, whilst the horizon beyond is of deepest ultramarine.' (From 'Tess of the D'Urbervilles').
Nowadays I feel little desire to read any of his books again. For one thing, I'm less concerned with social commentary than I was. And whilst not denying the beauty of Hardy's prose, I'm now impatient with long-winded descriptive paragraphs. I prefer brisk action rather than eulogies about hedgerows. So I'll leave off revisiting Hardy, or any of the novelists who enchanted me as a younger woman. Time's a wastin', as they say. Instead, I'll choose something new to read.
What about you?
Do you like revisiting fictional favourites? Are there books that are timeless for you, providing enjoyment every time you read them? Or do you prefer to discover fresh treasures? Leave a comment and let me know!